Mancomunidad Vigo

Council: Vigo
Localization: Bembrive

Council: Vigo
Localization: Oia (San Miguel)

Council: Vigo
Localization: Lavadores

Council: Vigo
Localization: Sárdoma (San Pedro)

Council: Vigo
Localization: Poboadores

Council: Vigo
Localization: Coruxo (San Salvador)

Council: Vigo
Localization: Beade

Council: Vigo
Localization: Bembrive

Council: Vigo
Localization: Comesaña (Santo André)

Council: Vigo
Localization: Coruxo (San Salvador)

Council: Vigo
Localization: Oia (San Miguel)

Council: Vigo
Localization: Sárdoma

Council: Vigo
Localization: Valadares

Council: Vigo
Localization: Castrelos (Santa María)

Council: Vigo
Localization: Bouzas

Council: Vigo
Localization: Candeán

Council: Vigo
Localization: Cabral

Council: Vigo
Localization: Matamá (San Pedro)

Council: Vigo
Localization: Coruxo (San Salvador)

Date: 16th century
Council: Gondomar
Localization: In Donas
It is so named because it was the meeting place for representatives of local residents of the parishes from the Miñor Valley to settle border conflicts of properties and related daily life affairs.A stone cross decorated with a carving of the holy souls from purgatory at the foot.

Council: Vigo
Localization: Tarrío, Coruxo

Council: Vigo
Localization: Zamáns (San Mamede)

Council: Vigo
Localization: Cruceiro Bouzas

Council: Vigo
Localization: Coruxo (San Salvador)

Council: Vigo
Localization: Coruxo (San Salvador)

Council: Vigo
Localization: Castrelos (Santa María)

Council: Vigo
Localization: Teis

Council: Vigo
Localization: Cabral (Santa Mariña)

Council: Vigo
Localization: Beade (Santo Estevo)

Council: Vigo
Localization: Candeán (San Cristovo)

Council: Vigo
Localization: Falperra

Council: Vigo
Localization: Praza da Princesa

Council: Vigo
Localization: Alfonso XII

Date: 18th century
Council: Pazos de Borbén
Localization: Moscoso
A Baroque style stone cross with important stone masonry work, and created by the well known artist Xosé Cerviño, nick named Pepe da Pena. He is also the one who carved the famous Hío stone cross in Cangas.A carved stone cross made in the 18th century by the stone mason from Pontevedra, Mr. Xosé Cerviño.

Date: 18th century
Council: Fornelos de Montes
Localization: Parish of Laxe
The stone crosses and carving of the holy souls in purgatory are seen quite frequently in the Fornelos area, especially in the western parishes.Ethnographic remains comprised of a stone cross and a carving of the holy souls in purgatory.

Date: 19th century
Council: Vigo
Localization: Next to one of the lateral facades of the Beade parish church.
Stone crosses tend to be located at cross roads. The one at Beade, perhaps occupied a strategic point in the parish but was transferred during the middle of the 19th century to its present location. There are no specific dates that tell us the exact date of its construction, which could well be towards the end of the 18th century, going by the stonework. The image of a crucified Christ occupies one of the fronts, while the Virgin, in scene of the Pieta, was represented in a bigger size than the son, with the objective of highlighting the importance of maternity.A magnificent stone cross situated in the atrium of the Beade church that dates back to 1850, as per the inscription at its base. The column is octagonal in shape and the greatest relief is manifested at the foot of the cross and in the image of two scenes represented on both sides, namely; the crucifixion and the pieta.

Date: 14th & 15th centuries
Council: Baiona
Localization: At the end of Trinidad street
The Holy Trinity stone cross is one of the few that exist in Galicia with a baldachin cover. The cross is Gothic in style and the baldachin was later incorporated and manifests a marked renaissance style in the roofing which is pyramidal in shape. Our Lady of Sorrows is accompanied at the foot of the cross by Mary Magdalene and the Apostle St. James, which is a clear reference that we are in a place that is on the Pilgrim's Route to Santiago.A stone cross covered with baldachin and built along a style that lies between Gothic and Renaissance. The cross is Gothic, with the image of a crucified Christ and the Virgin at the foot of the cross. The baldachin has a renaissance roof supported by four square base columns that are finished with cylindrical pinnacles.